Ablution Site specific installation at 33 Officinia Creativa, in a converted 13th Century Benedictine church June 2018, Toffia, Italy Silk cyanotype prints, string, clothespins, dried flowers This work is both installation and performance. It ca
       
     
practice / Ablution
Pink: The mountain of gardens you gave me they were not what they seemed I woke up one morning and and decided to pick a mountain of roses, which I then proceeded to eat.  
       
     
practice / Pink: The mountain of gardens you gave me
(and let my darkness become trees) Vestige is a site-specific performance created in the summer of 2016 in Ålvik, Norway. Using thin plaster molds of my body, which I envisioned to be like second skins or envelopes of myself, I created a series
       
     
practice / Vestige
altar(ity) in the woods (it's just a nod to) ōrō is a site-specific performance and installation from 2016, located in a forest outside of Ålvik, Norway from 2016. This work is meant to finish the Vestige performance. On one of my hikes I f
       
     
practice / ōrō
Procession part 1 Site-specific installation composed of hundreds of silver gelatin prints inserted into the medieval walls of Toffia, Italy, June 2015. pro•ces•sion n. 1. the act of moving along or proceeding in orderly succession or in a for
       
     
practice / Procession part 1
Grey: Fotoautomatica For two weeks in July of 2015 I routinely went into the Fotoautomatica booths scattered throughout Florence and performed my daily dressing and make up ritual. The resulting images, which became a video, document my daily pract
       
     
practice / Grey: Fotoautomatica
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practice / Gold, Lacuna
Transference: Eight Months of Daily Skies    2012-2013 oil on canvas, graphite, clips, pins In a letter to his brothers, written on December 22, 1817, John Keats explained a theory he termed Negative Capability: “I mean Negative Capabili
       
     
practice / Transference